Bryan Borland

Tag: Poetry

Pacific Coast New Year’s Poem

I want to be old with you here     read the paper.
grumble about politics and the weather

offer crumpled sections of the Chronicle
to young men from the hostel     I want

to know cops by their first names     know when
the pastries are fresh and the women aren’t

I want to have our own crooked patio full
of plants we’d never seen     before California

I want to die first here after a full life
because I’d know these streets would hold you

steady     because I’d know you’d see the bay
and remember the night we chose fire over fireworks

us doing our familiar dance     jazz and you
falling asleep in the bend of my arm

this was where we lived
anywhere     was where we lived.

- Journal Entry
1 January 2013
Caffe Trieste
San Francisco, California

LFP Featured by Small Press Distribution

Much gratitude to Small Press Distribution for featuring Less Fortunate Pirates on their list of new & forthcoming titles. LFP is now available for pre-order all over the place: Our official SRP bookstore (order from here and your copy will be signed), Amazon, Barnes and Noble, and, of course, Small Press Distribution, who I encourage you to support. You can also refer your local bookstores and libraries to Small Press Distribution in order to have them carry LFP – which would make me a happy boy.  This book, more than anything I’ve written, speaks to such a large audience. We’ve all grieved in one way or another. We’ve all lost someone we’ve loved deeply, be it to death or metaphor.  Less Fortunate Pirates is a roadmap to surviving the first year after a loss. To finding hope again. The more I read these poems to audiences, the more I understand my role and why I had to write this book. It was for my father. It was for my mother. It was for me. But now I see it was for you, too. Whoever you are. And especially if you or someone you know has struggled with the loss of a father – reach out to me and let me know. I want you – or that person – to have a copy of Pirates. It’s why I wrote this book. It’s not about money to me. It’s not about making a profit. It’s about getting these poems into hands that need them.

Sooner or later, we all become pirates.

If you’re in Arkansas, don’t miss the official launch of Less Fortunate Pirates - 6:00 PM on Tuesday, November 13, 2012, at the Arkansas Arts Center, 501 East 9th Street, Little Rock, AR 72202, (501) 372-4000. Not only will Theresa Davis be performing – but you’re also going to hear a poem from Pirates like you’ve never heard one of my poems before. If you’re local, please help me spread the word about the launch. The Arts Center is doing me a huge favor by hosting the launch and I’d love to have a great turnout to repay their generosity. 

Love, love, love folks.

Socks

No more metaphor,
your socks are your socks,
your socks in my pocket,
just as simple and sweet as that

For Father’s Day: The Cover of Less Fortunate Pirates

Less Fortunate Pirates: Poems from the First Year Without My Father is slated for publication in November. The original title of the book was Dark Horse, but seeing a return of over nineteen-thousand titles with the same or similar names on Amazon, I decided to instead choose the more unique Pirates, a nod to the kindness of my father and to boyhood imagination, which both my parents encouraged.

The almost-title, though, remains significant to me. When I was 12, my father took me to the Arkansas Derby. Watching the pre-race parade, I fell in love with a flashy, hot-pink-saddled thoroughbred named Rockamundo. Though his odds were 99-1, I begged my father to place a bet on him. Humoring me, he agreed, but then he did what good parents do for misguided children from time to time: he vetoed my choice and placed the bet on another horse.

When the race began, Rockamundo’s odds had worsened to 108-1. When the race was over, to my amazement and to my father’s disbelief, Rockamundo galloped through a victory lap. Thinking my father had bet good money on my high-fashioned dark horse, I became rich by 12-year-old standards. I don’t remember how I reacted when my father admitted he hadn’t placed the bet, but that moment cemented a dark-horse centered joke between father and son that would follow us for the better part of the next two decades.

Immediately after my father’s death, dark horses stampeded into my life, beginning when I’d pulled over on the side of the road after receiving the news. In my panic, I demanded a sign from my father. I said aloud, “Dad, if you’re really gone, I’m going to turn on the radio. The song that’s playing is your message to me.”

Radio, click.

Cue chorus of a song I’d never heard by the band Nickelback, “Never Gonna Be Alone,” from an album, I’d later learn, called Dark Horse.

Two months after he died, I was on an early-morning flight from Little Rock to New York City. It was a trip of firsts. My first book launch (for My Life as Adam). My first author signing. My first trip to Manhattan. The first time I’d traveled since his death. I was scribbling ideas for this book on a yellow legal pad and at the top of the page, I’d written “Dark Horse Poems.” I became distracted by the sunrise through the clouds and the hold of its golden-orange beauty, feeling both my father’s presence and the magnitude of his loss. Teary-eyed, I returned to my notepad and wrote, “I miss my father more now than ever.”

Raising my eyes and looking a few rows ahead, I saw a man reading a newspaper. I blinked. There was a silhouette of a horse visible from the paper. It was another dark-horse moment, but this one didn’t require any puzzles or leaps of logic. It was in my line of vision.

I wrote, “Yes, dad, I feel you.” But not believing my eyes, I also wrote, “Ask Chris to get paper,” hoping it was the Arkansas Democrat Gazette the passenger was reading and that my husband would save it for me.

When I landed, I called home. Chris searched the day’s paper but didn’t see the photograph of the horse. I asked him to save the paper, and when I returned, I found it in Section B: a photo a young boy riding a carousel. It was titled “Along for the Ride.”

What’s more, the caption revealed the horse to be the only surviving example of an undulating-track carousel made by the Spillman Engineering Company of New York. The photograph was taken at the Little Rock Zoo. Little Rock. New York. A dark horse linking the two. Along for the ride.

Yes, dad, I feel you.

Thanks to the generosity of Benjamin Krain, Frank Fellone, and the folks at the Arkansas Democrat Gazette, the photograph I saw in the newspaper that morning will appear as the cover of Less Fortunate Pirates, bronzed a bit for warmth. The yellow pad on which I wrote is the backdrop.

Photographic evidence below. Get your copy in November.

A Kick-Ass Moment? Nah. A Kick-Ass Year.

When I was a teenager, I kept a journal, and at the end of each year, I’d designate one event from the previous twelve months as “Most Kick-Ass Moment of the Year.”  I no longer keep a journal, but each December, I silently designate a new “Kick-Ass Moment.” Last year it was easy. What can compare to launching your first book in New York City? This year, though? It ain’t so cut and dry. I look back on 2011 with my head spinning. 

  • We launched Assaracus through Sibling Rivalry Press and schools from the Ivy League to community colleges subscribed, not to mention readers from around the world. (England! Hong Kong! Italy! Australia!)
  • My Life as Adam was included on the American Library Association’s  Over the Rainbow list of noteworthy LGBT titles, one of only five collections of poetry named.
  • I had a poem published in one of my “dream” pubs, The Gay & Lesbian Review Worldwide.
  • I was named one of eight young Arkansans “for the future” by the Arkansas Times.
  • I closed the Arkansas Literary Festival’s Pub or Perish and read poems from the forthcoming Less Fortunate Pirates: Poems from the First Year Without My Father in public for the first time. (Next December, folks. That’s when my second full-length book will be released, and this one is something special to me. Just last week I scored the perfect artwork for the front cover.)
  • I stood in the back of a beautiful room at this year’s Rainbow Book Fair and watched Raymond Luczak absolutely hold a crowd in the palm of his hand as he read from Road Work Ahead.
  • Theresa Senato Edwards broke SRP’s glass ceiling and became our first female author. 
  • We reissued one of my favorite books from the previous year, Steven Reigns’ Inheritance, under the SRP label. 
  • I chased Jessie Carty, caught her, wrestled her to the ground and made her sign a contract to bring Fat Girl to SRP.
  • One of my best friends, Loria Taylor, became contractually obligated to sing my praises.
  • Kevin Simmonds took Collective Brightness: LGBTIQ Poets on Faith, Religion & Spirituality (the first anthology of its kind) around the world, holding readings in New York, New Jersey, San Francisco, South Carolina, Minneapolis, Washington DC, and London.
  • Gavin Dillard and Eric Norris gave me enough behind-the-scenes material from Nocturnal Omissions: A Tale of Two Poets to write my own tell-all memoir, then they made Richard Labonte’s Favorite Books of 2011 list.
  • Saeed Jones’ When the Only Light Is Fire sold like, well, it was on fire, occupying Amazon’s #1 spot in Gay Poetry for weeks. 
  • I delivered half of the keynote address at the Atlanta Queer Literary Festival and drove away from Georgia with three new authors in the works… Megan Volpert, Collin Kelley, and Theresa Davis… a trio of talent that can take over the world. Megan knocked it out of the park with Sonics in Warholia, and Collin and Theresa  will do the same in 2013. 
  • Our list of eBooks grew. I tested the waters of prose with an eBook short story (only 99 cents!) and we’ll end the year ready to jump into fiction with both feet thanks to Leigh Binder’s How to Kill Harry and Donnelle McGee’s Shine.
  • Another poet I’d long courted, Stephen S. Mills, signed a contract to debut his first collection with SRP.
  • Philip F. Clark was officially named Art Editor for SRP. Brent Calderwood became the Associate Editor of Assaracus. Brian Gryphon was named Associate Editor of Marketing. It’s not a one-man show anymore!
  • Matthew Hittinger, Jane Cassady, Virginia Bell, and Brad Richard (pronounced Reessssh-ARD, FYI) were selected out of hundreds of poets who submitted manuscripts during our open-submission period. You’ll see their work come to fruition in 2012.
  • Columbia University used Ocean Vuong’s Burnings as course material, Gallaudet University is slated to use Road Work Ahead as course material, and just today, a friend and fellow writer emailed to let me know that My Life as Adam will be used as course material in an upcoming Queer Lit class at the Rhode Island School of Design.

It’s pretty clear to me, looking back, that I have no ability to separate myself from SRP at this point. SRP’s best days are my best days. When an SRP author is happy… man, I’m happy. I’m living it and breathing it, folks. This is the life I wanted. So yeah. Kick-ass moment?  I don’t think so. Kick-ass year. The moral of the story: Don’t wait for anyone to hand you anything. Figure out what you want, and then just fucking go for it. It’s RIGHT there. It’s waiting on YOU.

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